I always use native plug-ins on audio tracks and I never mix native plug-ins with DSP plug-ins at all. There’s a few plug-ins that seem to be extra heavy on the delay compensation side. But sometimes I can get it to go green again by disabling something upriver. And the fix is usually disabling a plug-in. I mostly get problems with delay compensation from plugins on the master bus. I don't know, maybe I'm overreacting, but it is annoying that my home studio, which I use a lot as well, seems to never hit the red DC meter, where as my commercial studio HDX system, is almost always in the red.Īny thoughts or links to other threads is apprecated. What I find very concerning is that maybe a future system will allow more delay compensation that what I have today and if I upgrade, mixes I do today won't sound the same on the new system because the new DC allows for more compensation thus timings could be off somewhere. What a hassle and a buzz kill.I'm looking to find, or start, a thread on how to setup the best strategy for using elaborate routing on HDX, and avoid running the delay compensation in the red.įor example: do you gain anything by putting plugins on a master fader for a buss that feeds an aux track as opposed to putting the plugins directly on the aux track itself?ĪND, when it is OK to be in the red, can the last aux/master buss in the system be the cause of overshooting the DC without causing any problems up stream? Speaking of native versus HDX, I also think that it’s pretty lame that the delay compensation for side chaining isn’t incorporated in the native version. Question: can I safely disable delay compensation on the final master buss or aux track that feeds my monitoring? I thought about doing it many times, but I just need to be sure that things always play the same both at my commercial facility and on my native rig at home. Maybe that’s why my HDX system runs out of delay compensation before my native system does. I’ll because I don’t want to use these people again but very often there isn’t a DSP version of the plug-in that I’m using. In fact my sessions are almost always native plug-ins even on my HDX system. I'm looking to find, or start, a thread on how to setup the best strategy for using elaborate routing on HDX, and avoid running the delay compensation in the red.įor example: do you gain anything by putting plugins on a master fader for a buss that feeds an aux track as opposed to putting the plugins directly on the aux track itself?ĪND, when it is OK to be in the red, can the last aux/master buss in the system be the cause of overshooting the DC without causing any problems up stream?
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